Harry Stinson added the Woody Guthrie tune “Pretty Boy Floyd,” Marty did his solo mandolin jaw-dropping version of “Orange Blossom Special”, and they closed the set with some more blazing guitar stuff on “Tear the Woodpile Down” and the gospel song “Angels Rock Me to Sleep.” Marty Stuart and Kenny Vaughan Photo credit: Rick Davidson
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Both of those last two songs, plus the almost psychedelic “Time Don’t Wait,” are from the Way Out West album, which was produced by, of all people, Mike Campbell, the Heartbreakers’ guitar player. The short set included some of his classics: “Country Boy Rock and Roll,” an old Reno and Smiley chestnut, showcases some country chicken picking and duet singing by Vaughan and Stuart “Mojave,” a Ventures-style dual guitar number, and one of my favorites, “Old Mexico,” a western song that recalls Marty Robbins and showcases the fine harmony singing of this group. They’re a tight and entertaining band, and their set showcased their strong ties to traditional music with a modern flair. “Cousin” Kenny Vaughan is one of the greatest country-style guitar pickers alive, drummer and tenor singer Harry Stinson has been a force in Nashville since the ’70s, and Chris Scruggs, Earl’s grandson and a master of musicianship, joined the group in 2015. A Country Music Hall of Fame inductee, Grand Ole Opry star, and five-time Grammy winner, he and his band the Fabulous Superlatives have been packing fans in for years. Marty Stuart’s not your usual opening act.
Marty Stuart and the Fabulous Superlatives Photo credit: Rick Davidson The two Nashville-based luminaries had never played a show together both are riding high right now and starting long post-COVID tours, and it was clear the musicians and the fans were fired up for live music. Augustine Amphitheater (known as The Amp), a solid mid-sized venue with great sound and seating. AugustineĪfter being postponed once, this show was a somewhat unexpected treat for the capacity crowd at the St. Marty Stuart and Jason Isbell at The Amp: St.
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